Recent and Forthcoming Publications
Books
Screening Publics (in progress)
Making Images Move: Handmade Cinema and the Other Arts. (University of California Press, 2020)
Co-editor (with John G. Hanhardt and Edith Decker-Phillips), We Are in Open Circuits: Writings by Nam June Paik (The MIT Press, 2020) [Selections are featured in Nam June Paik: The Future is Now, exhibition catalogue (London: Tate Publications, 2019)].
Journal Articles
“Nam June Paik’s Etude 1 and the Indeterminate Origins of Digital Media Art,” October (Spring 2018): 3-28.
“Post-Coital Thoughts on Nam June Paik’s ‘Double Climax’” INCITE Journal of Experimental Media #7/8 (2018): 216-224.
“Between Canvas and Celluloid: Painted Films and Filmed Paintings,” MIRAJ: The Moving Image Review & Art Journal 3.2 (2015): 162-176.
“Nam June Paik’s TV Crown and the Origins of Media Interactivity,” Millennium Film Journal (Fall 2013): 88-93.
“Eradicating the Psychic Space Between Eye and Ear: Synthetic Film Sound’s Challenge to the Index,” Animation Journal 20 (2012): 51-85.
“Analog Circuit Palettes, Cathode Ray Canvases: Digital’s Analog, Experimental Past,” Film History 24.2 (Spring 2012): 135–57.
“The Joshua Light Show: Concrete Practices and Ephemeral Effects,” American Art 22.2 (Summer 2008): 17–21.
Book Chapters
“Outer and Inner Space,” in The Andy Warhol Film Project, vol. 3 [catalogue raisonné] ed. John G. Hanhardt (Forthcoming, the Whitney Museum of American Art and Yale University Press, 2020).
“Video Art’s Past and Present ‘Future Tense’: The Case of Nam June Paik’s Satellite Works,” in Object—Event—Performance: Art, Materiality, and Continuity since the 1960s, ed. Hanna Hölling (Forthcoming, Bard Graduate Center, Cultural Histories of the Material World series, 2020).
“ ‘This Script is Not Final, and is Subject to Changes’: Nam June Paik Between Page and Screen,” in We Are in Open Circuits: Writings by Nam June Paik, ed. John G. Hanhardt, Gregory Zinman, and Edith Decker-Phillips (The MIT Press, 2019), 73-85. This essay was excerpted in The Art Section as “‘New Relationships Between Things Already Existing’: Nam June Paik as a Writer” (November 2019).[link]
“Echoes of the Earth: Handmade Film Ecologies,” in Process Cinema: Handmade Films in the Digital Era, eds. Scott MacKenzie and Janine Marchessault (McGill-Queen’s University Press, 2019), 108-124.
“ICYMI: The Moving Image Online” in The Routledge Companion to Media Studies and Digital Humanities, ed. Jentery Sayers (Routledge, 2018), 292-299.
“The Legacy of Thomas Wilfred’s Lumia,” in Lumia: Thomas Wilfred and the Art of Light, ed. Keely Orgeman (Yale University Art Gallery/Yale University Press, 2017), 75-96.
“Getting Messy: Chance and Glitch in Contemporary Video Art,” in Abstract Video: The Moving Image in Contemporary Art, ed. Gabrielle Jennings (University of California Press, 2015), 98-115.
“The Right Stuff?: Handmade special effects in commercial and industrial film,” in Special Effects: New Histories, Theories, Contexts, eds. Bob Rehak, Dan North, and Michael Duffy. (BFI/Palgrave Macmillan, 2015), 224-240.
“From Canvas to Screen: Weimar Germany and the Birth of Abstract Cinema,” in A New History of German Cinema, eds. M. Richardson and J. Kapczynski (Rochester, NY: Camden House, 2012): 98-104.
Selected Short Essays
“By Hand: Cameraless Films at Canyon Cinema,” Canyon Cinema 50th Anniversary Project (forthcoming, 2020).
“Reading Nam June Paik,” Gagosian Quarterly (Winter 2019): 76-83.
“Good Morning, Mr. Orwell: Four Contradictions,” ArtReview (October 2019): 68-69.
“Object Lesson: The Hologram” The Atlantic (August 26, 2016).
“Engram (optical sound #001) by Blanca Rego” Angular vol. 1 DVD (2015).
“Dream Reeler: Jud Yalkut, 1938-2013,” The Brooklyn Rail (September 2013).
“Does Anybody Really Know What Time it Is? Christian Marclay’s The Clock,” Art Papers (January/February 2013).
“Micah Stansell: The Water and the Blood,” in The Water and the Blood, exhibition catalog, Museum of Contemporary Art of Georgia (Atlanta: Working Artists Project, 2012).
“Re-Entry: Thoughts on Jordan Belson: 1926-2011,” The Brooklyn Rail. (December 2011/ January 2012).
“Picture Show: Work of Art Returns,” Elle (December 2011).
The Talk of the Town, “Lumia,” The New Yorker (June 27, 2011).
“Curating Play,” The Take, Guggenheim Museum (October 18, 2010).
“Painting With Light: Bauhaus Film,” Moving Image Source (November 19, 2009).
Book Reviews
“Cinemachines by Garrett Stewart,” Critical Inquiry (forthcoming, 2020).
“Unknown Pleasures: Pacific Film Archive’s Radical Light,” The Brooklyn Rail (June 2011): 87.
“Postwar: The Films of Daniel Eisenberg,” Afterimage 38.6 (May/June 2011): 41.
“Movement as Meaning in Experimental Film, by Daniel Barnett,” Movement: A Media Studies E-Journal 1.1 (Winter 2009).